After becoming intriqued with these flowers, I closely studied the pictures I have of the Paradise gardens. The silk flowers I had recently learned to make did not look the same as the ones I saw in my picture. It would appear that the flowers in the Paradise gardens are made without wrapping the silk and wire together, a style I have come to call Kloisterarbeiten or Convent Art. (The few examples I could find of modern Kloisterarbeiten all have silk-wrapped wire flowers and are all in the form of iconography. I call this style Kloisterarbeiten because the examples I have came from Convents.The flowers I learned previously are called Ganutel.)
I gathered my wire and I gathered my silk and I sat down with a magnafying glass and studied the pictures. Every time I thought I had it I discovered I was wrong. I was wasting a lot of silk. Once more with the magnafying glass and I discovered a strong use of bullion in the pictures. Bullion, or as the English call it, Purl, is finely coiled wire which resembles a slinky or a spring. And I discovered when its strung onto a heavier wire, it makes a great anchor for the silk.
After way to many attempts I finally got it! The way I think the flowers were made was to take Purl covered wire and form it into half a petal. Starting at the base, wrap the petal with silk. when you reach the top, drop the other half of the petal’s wire (wrapped in Perl) into the first half and continue wrapping. You’ll have what looks like a very long wire with an indent in the middle. When you’ve reached the bottom on the second half, close the two pieces together, like closing a door, and wrap the base wires together with the excess silk floss. By using two seperate wires you create a hinge that allows the petals to be moved without squeezeing the wires and upsetting the floss.
I tried several different ways to do this and discovered that the longer and more tappered the petal is, the easier it is to wrap. The oak leaves (like the ones in the gardens) were next to impossible because of the changes in diameter. The acorn is silk wrapped over a small ball of wool.
Over all this project took way to long but I am happy with the results and content in the knowledge that, at least for now, I’m probably the only person alive who knows how to make these things. I hope that’s not the case for very long! I’ve already made a lot of people curious when I went looking for Bullion at the Midwest Embroiders Convention.
After Note:
Nearly two years after having completed these flowers I realized, based on finding many new photos of other extent pieces, that the size was all wrong. These flowers are about three times larger than the ones created in 1500ce. So I went back to the drawing board (so to speak) and figured out (with the help of my new photos) how they were really made. The technique I originally used did not minaturize well at all but I do think I finally got it right. I’m not saying this technique wasn’t used because I’m sure it was – it just isn’t the technique I was looking for at the time. Go figure!
Egan, Geoff and Pritchard, Frances Dress Accessories c1150 – c1450 Medieval Finds From Excavations in London:3 HMSO Publications, London 1991
Goody, Jack The Culture of Flowers Cambridge University Press, Cambridge 1993
Lightbown, Ronald W. Mediaeval European Jewellery The Victoria & Albert Museum, London 1992
Meckseper, Cord ed. Stadt im Wandel: Kunst und Kultur des Bürgertums in Norddeutschland 1150-1650